A little diversion for a moment from editing theory.
Just to talk about metaphors for a moment.
The Russians, Kuleshov and especially Eisenstein were interested in the metaphorical power of film.
But what is metaphor in film?
Well, a metaphor is something that is used in place of something else to suggest a likeness between them.
Her anger burned like the sun.
Pretty crappy I know, but you get the point.
I'm fascinated by metaphor. And the idea that when we watch something, we are maybe processing it in a completely different way.
Take the film Reach for example. What could it be a metaphor for?
Life? We are all going to die and is it worth it to struggle for greatness?
These questions might not be worth asking when you watch a film, but they are interesting
when you are writing one, and trying to sell one.
I recently went to a conference with lots of sales agents and distributors and they all said the same thing: know what the 'big theme' of your film is. And make sure it doesn't have too many.
Interesting.
I think.
Speaking of metahpors, what is this ad, and many others, really saying to you?
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